99%的人死于傲慢，1%的人用语言“创造现实”——江学勤的洞见（双语配音）

Sat, 13 Jun 2026 09:59:24 +0800

视频信息

标题: 99%的人死于傲慢，1%的人用语言“创造现实”——江学勤的洞见（双语配音）
BV号: BV1kpEA6fEc1
时长: 43分45秒（2625秒）
UP主: 高维实验室
原始链接: B站视频

视频摘要

本视频以江学勤讲解希腊文明为线索，探讨语言、诗歌与现实建构的关系。希腊文明奠定西方文明的基础，其核心概念包含"arete"（卓越/德性）与"eudaimonia"（繁荣/幸福）。视频对比了阿喀琉斯式的武士与奥德修斯式的演说家：两者都追求arete，但武士以武力将自身现实强加于世界，而演说家则以语言"投射电影"——构建他人必须栖居的新现实。视频进而引入康德认识论：人并非现实的被动观察者，而是积极建构者；时间与空间是心灵用来组织世界的范畴。语言正是这种建构的工具，诗人凭借与"宇宙精神"（Geist）的连接，从永恒记忆中召唤素材，将当下经验与永恒精神熔铸为诗，从而为集体创造共享的现实。希腊悲剧通过"傲慢"（hubris）与"净化"（catharsis）让观众在共情中反观自身、承认局限。雪莱所言"诗人是世界无名的立法者"，揭示了诗歌作为通往神圣之门的力量——1%的人通过语言创造现实，99%则被动接受。

核心要点

Arete与Eudaimonia：希腊文明的两大核心概念，“arete"指个人卓越的德性，“eudaimonia"指唯有发挥arete才能实现真正的幸福与自我。
武士与演说家的对照：阿喀琉斯代表以武力征服的武士路径，奥德修斯代表以修辞说服的演说家路径，两者本质都是"将自身现实强加于世界”。
演说作为现实建构：演讲的真正目的是"把电影投射到世界上”，构建一个他者必须进入并信服的新现实，奥德修斯劝说阿喀琉斯的长篇演说即典型例证。
康德式认识论：人不是现实的被动观察者，时间与空间是心灵用来组织世界的先天范畴，我们主动参与塑造现象而非直接接触物自体。
诗人与Geist：诗人作为真正的先知，能够接通宇宙精神（Geist），从集体记忆中召唤素材，将当下与永恒熔铸成诗，创造集体可栖居的现实。
希腊悲剧的教化功能：悲剧通过展现主人公因hubris（傲慢）走向毁灭，引发观众的怜悯与恐惧，达到catharsis（情感净化），让人在共情中认识自身局限。
诗歌作为通往神圣的门户：诗歌能突破时空的遮蔽，激活想象力，让人感知永恒与神圣；诗人如同"无名的立法者"，其语言塑造了整个文明的现实。

视频全文转录

口播原文，由本地 Paraformer/Groq Whisper 转录 + M2.7/LongCat 标点修复。

第1段

Sothealiiadisafoundationofgexciilizzwhich,whichisthegcicivilizationinhumanhistory.Themostcreativeitgaususumplatalfacilitiesherotiisissuisisyourbeautiessvilizties.Umgreekcivilizationisessentiallythefoundationumwessiancivilizzzation.Sothequestionwelookattodayisgreekpossiofthataepiiccemcangivebirthtocicivilization.Okay.Soumthethingofunderstandagciciilizzationisthattherearetwoimportantconcepts.Thefirstiserititysorrymararity.那secondisyoulimoniasoeritaymeansvirtueaccidentsorcharacter.It’ssomethingthatmakesyouspecialwhatyouexcelat.Okay.Andtraditionally,uh,therearetwotypesofera.There’swarfighting,andthereisspeechmakingingoogizzzzation.Theparagonofthewarrioris,ofcourse,akeilis,andtheparagonofthegreatortour.Thegreatspeakerisatthissest.Sowe’rereadingtheiliadrightnowah.Andthenafterwefinihatethat,willwetheotdesy?Okay.Sothesearethetwotwogreatcharactersingreekcivilizzation.Akeyleastthegreatwarriorandknowthisyearstogatethegreatorartour.Okay,youlikemonniameansflourishing.Andtheideaofyouuumoniaisthatyoucanonlybehappy.Youcanonlybeyourselfwhenyouareachievingyoureritatewhenyou’reexpressingyourarity.Soofexample,akilllessbeentheUA.Hetellsusthatbeforeyoucantotry,youwouldgiveitaprivacy.Hecouldeitherdieoldathomeorguyyoung,butaheroonasourceofchoy.Anysad,well,dota,ofcourse,i’madieyoungintry,becauseonlybyfadtingearningbywinningglory,caniachieveyou?Diammoniakay?Andthat’swhyhesawunhappywhenhegetsaphopeandamenon,andhehastositupthewar,andhefixedoutdifferentwaysofgettingbackintothebattle.Becausewhilefighting,hecan’tbeakillless,heisthepygonofthewarrior.Okay.Sothat’sideayoulikegmonia.I’veonlybehappywheniambemycreativebestwhenwheniamachievingmytruepotential.Ok,nowforthequeickswar,fightingandspeechmaking,iwouldthesamething.Butfordifferentmeans,it’swhenyoufghtawar.Whatareyoutryingdoisyou’retryingtopushyourrealityontotheworldandmakeothersbelievewhatyoubelieveright?Youdothatforforce,拜ubooststggthshowthatyoursuperiorandbefore他为什么所背右，butspeechmakingisactuallytrytoachievethesamething,给beautifulword.Okay.Soratherthanforforceforbeauty.Andfortruth,youaretryingtocreateanewrealitythatotherssubmitto,intheexample,ofcourse,isaspeechbetweenthespeechesbetweenardisiasandakillips.Okay,onDCSandakillless.Itorememberthecontext,umakillegugetsfivefiveegmenon.Herefusedthefightandthechildren’sledbyhectorordestroyingthegreece.Soegmenonandonthisisandtheothersnesturyhaveaworkcouncil,andtheyagreethatthe’llgoback,accusedcomeback.Ok,ilovethisyearsandmr.Andothers,theygotoklethese.Andtheypresentanargumenttoakillless,Andaudience,audiencegivesaverylongspeech.Now,thequestionforusis:whyarethespeechesintheIliadsolong?So,gotthatlong,right?Theseideascansimplysay,Hey,killthisguy.Look,ahundreddollars.Wefightforus.Please.Hecouldalsosay,Hey,killthisridiculousthing,anditwillbecompleteforus.Okay,hecanmakeitvery,veryshort.Whyisitsolong?Right?Andthenthekingsays,Whatresponsecouldbelike?No贼笨.Healsooffersverylongspeech,andtheansweristheyrenottryingtorespondtoeachother.Theyretryingtocreatetheirownreality.Okay.Sowhenwewill,wespeech,whatyoureally,reallydoisyouretryingtoprojectamovieontotheworld.Youretryingtocreateanewrealitythatothersmustinhabit.Okay,thatswhyspeechmakingiswhatyourefightingfor.Youretryingtoquityourownrealityandimposeitonothers,right?Torememberwhatthisisdoing.Heknowsthatakillisforhim.Itsreallyaboutface,right?Hislostfaceinfrontoftheothers.Andthatswhyhewontbackdown.Thatswhyheinsistsonamanonapologizing.Okay,butbutthisisalsoknowsthat,andImsomeoneapologized.Soforthisisbecauseheisthegreatorator.Um,thatishisairtake.Whatdidhehedototrytodo?Itstrytoquitarealitythat,likeyou,theseinhabits,嗯，whichwillconvincehim去joinathisyearsinthework.Okay?Sohowdoyoudothat?Whathedoesisheexpandstheimagination还好ofAchilles.Alright,thatswhatthisspeechsoon.必shetrytocreateanewemotionalrealityforkillersrightnow.Achillesisaselfish,right?Sowhatdoesallthisissaytoakillly?Soforfirstofhesays,isakillers.Iwantyouimaginethisbefore.Herusisgreatfeast.Wecanseethisbeastnowtoimaginewhatstheoppositeofthisfeast:agreatdesertwherewerealldiet,wereallstarving.AndthatsthewarwerefightingrightnowagainstourTrojans.Thatswhyweneedyouback.Okay,itsapowerfulimage原，那你又是energytotakeadelaytothepresentwhereheaddooritisthisgiant,thisstragrunningaroundkillingallGreeksbeforehim,okay.Andthenhetakesakillingstarktoapassandsay,Whenwereyourfatherpreciousbeforeyoucandowar,youpromisingthatyouwouldwingloryforhim,youpromisethatyouwouldntgofortheGreeks.Okay.ThenittakesAchillestothefuture,whichis,letsimaginewhathappenswhenthewinthiswarit,whenwewinthiswar,althoughitisachoy,我有allthetreasureswillbelongtoyou.Achilles,I,again,mynotwillgiveyouhisdaughterforabride,andyouwillbethegloryofallofGreece.Youhavetreasuresandtreasures.Thinkwhatthepresentthinkaboutthepresent.Thinkaboutthepast,thinkaboutthefuture.Expandyourmonoculeles,right?Thatswhataisisisdoingistryingtoexpandhisimagination.Andonceyouenterthisworldthathehascreated,thenyouwillbeconvincedtojoinhim.Okay.Sothatswhatspeechmakingis.Speechmakingisprojectingamovieontoaworldthateveryonecanobserve.Andthenabsorbthisnewreality.Hey,reinterprethisnewreality.哎,anditseemslikethis.AndlikeCritorefusestobebeaten,right?SoCritoseeshisspeechasacounter.嗯,andthisiswhatisonlytoally,whichisveryself-absorbed,withoutit.Okay,right?Soratherthanexpandingoutwardlike,orthisiswise,orthiscontinuestoexpecttocontractinwards,right?HeusuallyusesIalot,right?Me,me,me,orthisneverusesIorwe?Hesalwayslikewe.Okay,soCritosays,Hey,Iunderstandthatlefttractortouseagod.ButwhenIsawhim,heranawayfromme,right?Oh,precious.Mydad,Ishouldgohomeandseehim.Sogoodbyeguys.Andlike,Igonnasharedaughterformywife,Ispeakonher.Idontwantinthiscrap.Okay.Sowhatislike,sohecontractsinwards.Okay.Soandthatswhythespeechistoolong,itssolongbecauseinspeech-making,itsawarofrealities,itsawarofnarratives,andyoucreatenarrativesforspeeches.Okay,butnotthatpollutiontechniquestospeeches,becausethegreatspeechesisnotjusttopaintareality,butyouwanttopaintarealityinwhichitisinternalizedaboutbyothers,andthey,foryou,mustmakeitmemorable.Okay,soremember,inrealclass,Ihadyoudoanassignment,whichisum,writedownthespeech,right?Andeventhoughyoudidntforceyourselvestomemorizeit,youwereabletomemorizealot.对,andIshowedyouthetourofthespeechquestion.Itiswhatmakesitsopowerful.Andtheanswerisbecauseitspoetry,guys.Okay,poetry,andtheelementsofpoetry,ofcourse,are啊,Aesthetics.AndthisiswhyAudiesdoes,well,thisiswhathespecializedin.Okay,drawingpicturesforyoutosee,okay,metaphors,connections.Okay,metaphors,wecallconnections,andconnectionsarethingsthathelpyouclarifyreality.Okay.Andwhichshowsyoucan,whichshowsyouthingsthatyoucouldntseebefore.So,forexample,ifIsaytheskyislikethesea,thatdoesntreallysurpriseyou.Okay.ButIsaytheskyislikeasmell.我们surprisesyou,andbecauseitsurprisesyou,yourememberit.Okay.Andwhenyourememberit,itordersthewayyouseereality,right?Uh,youalsohaveum,diction,choiceofwords,syntax.Okay.Andthesearethingsthatbothareaestheticsandclearlyspecializing,especiallyum,butespeciallyaesthetics.Okay,doesitmakesense,right?Sothetryingtopraytheseartsfortheirspeeches,andtheyhavethesetechniques.哎,you该说Imsorry.Thekeytechniquesisverysimple.Alltheyhadtodowasmemorizetherhetoric.Okay,becausewhenyouremembermyrhetoric,youlearnhowtomakeagreatspeech,right?Andyouunderstoodthatformetomakeagreatspeech,Ineedimpact.IneedpeopletorememberwhatIsay.Ineedtoimprintmyselfonothers.Andthisbecomesthissystem,becomestheverybasisofvisualization.Speech-making,weregivingdone.Youhavetogoinfrontofpeopleandmakeaspeechandquitarealityforpeopletoacceptthis.Whatiswhatleadstodemocracy?哎,还有veryclear.对.NowIwanttotalkabout嗯,how…事实上，荷马创造了文明。

第2段

好，爱。那么这是一封电子邮件，你不能……在我这里，你不能……他是一位德国哲学家，他关注的是我们如何理解现实。我们看到了什么？我们所做的那些事情？我们想了什么我们所拥有的那些想法？他写了一本非常好的书——《纯粹理性批判》，它阐述了这个理论。好，那么他告诉我们的是，传统上，我们理解自己。我们把自己理解为被动的现实观察者。好，这个东西在我们面前，我们站在它面前，然后我们试图理解它。好，康德教导我们的是，不，事实上，我们是现实的积极参与者，我们塑造并形成了我们面前的现实。好，所以康德把世界分成两个。第一个世界是客观现实的世界，物自体，我的诺姆纳，好吧。一旦我们超越它，它们就只是振动。好，我们讨论这个，对吧？整个世界是声音振动，频率。所以我们实际上可以看到这些东西。那么我们所做的是，我们过滤我们周围的世界，把它们变成我们可以理解的东西，称为现象，这些是对我们来说的东西。好，对我们来说的事物——所有对我们来说似乎存在的事物，对吧？我们这样做。

第3段

所以现象需要时间和空间。所以时间和空间不存在于我们之外。它们存在于我们之中，以便首先理解现实。好，所以时间是什么意思？时间只是意味着顺序，对吧。顺序是一、二、三、四、五。我们把东西放进顺序，我们就创造了时间。空间是感觉的概念，感觉是情境。五种感官，对吧？哎，纯空间不存在于我们之外，因为每一个我们之外的东西都只是纯粹的能量，好吧，但我们的心灵无法感知那个纯粹的能量。我们使用时间和空间的概念来理解我们周围的世界，来组织我们周围的世界。好，对吧。但是这意味着的是，它我们能够控制时间和空间，我已经错误地把压力本身。好，凯不存在。这感觉像是什么——纯粹空间？这东西叫做语言。好，在之前，我们只是用语言感知自己的时间和空间。好，我们能够达到对现实的集体理解，对吧？谁创造了语言？诗人们创造语言，因此诗歌创造现实本身。我认为这正是他试图做的。他试图为他的诗歌，为每个人创造一个新的现实来生活。这是一个人们彼此和睦相处的现实，一个人们……人们喜欢……忘记他们的仇恨的现实。

第4段

我继续为共同利益而战。好，好。所以尽管我们每个人都有自己的现实理解，一个诗人能够创造出如此美丽的语言，以至于它来到我们这里。我们将语言内化。我们吸收一种语言。然后我们一起用语言作为构建块创造一个新的现实。好，让我让那些人好吧。好，哎，所以让我解释现在荷马是如何能够做到这一点的。好，让……让一些如何荷马……它将做到这一点后面，嗯，怎么样？怎么样？一个诗人能够创造现实？好，所以诗人在世界上是独特的。诗人。嗯，是的，真的，是真正的先知。好，所以如果你看看过去所有这些伟大的宗教人物，Including啊Jesus,includingJobDusa.Theywerewithjustfigures.Theyrereallypoets,OK.Andhowtheyareabletoworkistheyhavethebyconnectiontotheuniverse.这我会靠啊嗯哎。Sotherewouldhavebeennamesfortheuniverse.Okay.Sohey,goal,thejuryphilosopherusedtheterminGeist,guest,gate.WhatisGeist?Well,guys.ItshardtotranslatevisithisGerman.Okay,butthinkofitasthreeEnglishwords.Andinfact,actually,uh,GeistwillkeepustwoEnglishwords.ThesethreeEnglishwordsareghost,guest,justauhGeither.Okay,Geitherisaneruption.Okay,Geististheunderlyingthingandthegist,theessence.Okay,thatswhattheGeistis.TheGeistisallroundus.ItsliketheGeiser.Itsalwayschanges,alwaysbecoming.ItsalwayseruptinglikeauhGeyser.Itsreallytheessenceofthingsthatthejustokay.喂,Improjectinghowthewarheusesaclimaticunconscious,Icouldgetunconscious.Platowillusetheworldoftheforms.Mydeals.Ok,Christianswillsayhappenwhatever.Okay.Ok,butbesurethetheuniverserightandrememberhowwesaidbefore,ourmemoriesarestoredintheuniverse.Theuniverseisalwayslikeadeeppsychicnet,right?Soeverysinglememoryisstoredinsidetheuniverse.Andwhatpoetsdoistheyreabletoaccessthisuniverseandasaresulttobeabletosummonthememoriesoftheuniverseandtheydo.Andwhentheydothat,theycreateepicsofpoetry.Okay,right?TheIliad.Nowaswekeepdiscussing,whenwereadtheIliad,eachcharacterisarealperson.Okay.Eachcharacterhasalivingpast,present,andfuture.Byreadingspeechesoftragedies,youunderstandhismemory,heunderstandswherehecamefrom,whathewantsandwherehesgoing.Okay.SoeveryoneintheIliadisalivingbreathingcharacter.Heshomewhenhewilldothat.Hesabletodothatbecauseheisabletosummonthesepeoplefromtheuniverse.Okay,eventhoughyouredead,yourconsciousnessisstillaliveintheuniverse.EventhoughHomerisonlywithus,hisconsciousnessisstillwithintheuniverse,soitspossiblethroughilluminationtoactuallyconnectwithHomerdontshakeit.However,okay,theyreallthere,andthatswhatHomerisdoing.HesabletoconnectwiththesepeopleandbringthemintotheIliad.Okay.Butbecausethesepeopleareliving,theepicitselfisalivingmemory,okay.WhatImeanbythatisokay.ThepurposeoftheIliadistocreateamemory,alivingmemory,forpeopletoobserve.OK.Soremember,Homer,heisabardatthistime.Youdontreadhim,right?Sowhathesdoingisheswandering.Thisiswhathesdoing,whichishesgoingfromtowntotown,peoplearesurroundinghim.Heishundredsofpeople.Andthenfortheevening,hereciteshispoetry,andhesdoingwhat,butthisiswhathesdoing.Hespaintingamovieforeveryonetoobservetogether.Anditsthesamethingwhenyougotoamovietheater,whereyes,itsthesamemovie.ButwhatIwanttoexperienceistobedifferent,okay.Andhowitbecomesdifferentisthatyouembedyourownqualities.TakeyourownunderstandingintotheIliad,soitbecomesasharedcreation.Andwhenyoudothat,whathappensisthatyoureallyconnectdirectlytotheuniverse.Okay?So,inotherwords,theIliadthedramaathenceencewaswhowhere’soverelse?Itmaynotapproachtoitsperfection,evercoissescauseswiththemoralandnaturalgreatnessoftheage.Alright,soatheateratactenceprovoke,thesetremendousfeelingsinpeoplethatmadethemintomoropeoplewithambitionwithcreativity.喂，thetragediesonthesenianpoets,orasmirrorsinwhichaspectatorbeholdhimselfselfunderththdestskiesofcircumstandsshouldofall,butthatidedealprofessisionenergy,whicheveryonefeelsstheinternaltypeofallthatheloves.Andmarsandwouldbecome好rightOK.Soyeah,theideaofpoetry.Theideaoftoothisit’samirrorinwhichyoucanlookatyourself.Youlookattheworldaroundyou.Thekilliesarethisyearsareinyou,andyouareinthem.Andbyobservingthemobjectively,youcanbetterunderstandyourself.Theimaginationisn’tlargebysympathywithpaysandpatononsomightythattheyextandnoconceptionlikecapacityorthatbywhichtheyareconceived.Thegoodaffectionsarestrengthby,ppity,intnationterrorandsorrow,andanexacttlecalmisprolongfromthecityofthishighestsizeofthemintothetommolofamiliarlife.Okay.Sotheideaofgreicktragedyisumepithonyandcartharsis.Sowelookatuhgreattragedy.There’saverycommonpatern.Okay.Sothere’satragiccharacterandhe’sunddonebyhupris,andthat’sagreattragicflawishupris.He’sarrogant,ahupreishashupris.Hethinkhe’sbetterthaneveryoneelse.Everymanhashashupris.He’sgrotoanyoneelse.Okay,buttrpiswilldebuceofhuprishavethewilldebuisofhupris.Soit’shupristhatisthegreatakillerorpeople.Okay,noabouthowgreatyouare.Yousufferfromhupris,thegreater.Youarethemoreyousufferfromhuperis,whichcanonlyleadtotragedyandyou’reservingthis.Andyourecognizethat,ohit’shubristhatleadstotragedy,andtherefore,itwillmakeyoumuchmorehumbleperson.Okay,thisiswhatwecallepithony我，regardlessofyourpivany.You’restillgoingtofacetragedy.Okay,theprojectstubeenupfar.Sohectorandnoonehowgreadyishe’swonnadiebutrodsenomathowinnocent.Heis,he’sdointodie.Okay.Andthiswilllead.Andsowhathappensisyoufeelaconnectionofthatperson,youcry.Andthisleadsyoucaughtparses.Okay,conararisisbasallyporridge,whateverfeelingsthatyouhave.Youcry,youparchyourfeelings,youyouporch,yourhupsh,youporchyourhatred.Okay.Andthiswillmakeyouawholeperson,不允许commitorstarces.Whathappensisthatyounowconnectwithacharacteritselfll.Sothecharacterternowlivesinyou,andyouliveinthecharacter.对，andthatwillmakeyouamuchbetterperson.Doesitsense?Guys?Ievencrime.It’sthisarmofhabithwore.Andolivetataonbybeingrepresentedasafatlowconsequenceoftheunfaundableiencyofnature.Eroorsdoesdiverssionofitswolflinenessmchanllbacherishinitasecreationoftheirchoice,adramofahighestorder.Thereislittlefoodforsensororhatredisisratherthemselfknowledge.Andoursubrespectnearly,Iknowaminecanseeitself,andthatsreflectionuponthat,whichresemblesthedrama.Solongasitcontinues,expresspoetryisasaprismatic,andmanystartedmirror,whichcollapsesabusinessraceofhumannature,divideandbeproducedofthemfromthesimplicityoftheseelementary,formedandtouchesbonewithmajestyandbeautyandmultiplyallthatitreflects.Andindulgeitwithapowerduplicating.Itslikewhereveritmayfall.Okay.Sothisisvery,verywrong.Itsaverynobleidea.Theideaisthatwhenyouwatchatragedy,K?Whenyouobserveatragedy,youreobservingafundamentaltruthabouthumannature.Okay,whichisthatweregoingtobetragic,theclassicthatclassiccases,etc.Okay,Oedipusisamanwhokillshisfather,marriedhismother,andwediscoveredthetruth,heblindshimself,M.N.Hegoesintoexile.Okay,andifyouactuallyreadthetragedybySophocles,hedidnothingwrong,youespeciallyfate,itsjustanaccident.Butunfortunately,thatswhatlifeisabout.Okay.Soyouareagreatpersonwhenyoureabletoacknowledgeyourlimitations,youareabletoacknowledgefateanddestiny,butyoustruggleregardless,okay.Thatsit.Thatsthereality.Thatistorecognizeyourlimitations,torecognizetheuniversemayhaveagrudgeagainstyou,butyoustruggleonregardless,okay.Andthatstory,whenyouwatchityourself,itbringspitytoyou.Itbringspity,butitmakesyoualsomuchmorewiseandeffectiveabouttheworldthatwelivein.Okay,andthatscreateswisdom.Thatsgreatempathy.Thatsquitemorality.Mmm,andthatswhygreatdramaisimportant.Okay,nowletsgo.Thepassage:Poetsarenotonlysubjecttotheexperiences,ourspiritsofthemostrefinedorganization,buttheycancolorallthattheycombinetheevidencein.Hugeofthiseither,okay,right?Thisisareallyimportantidea.Rememberhowwesaidthatpullitofaconnectiontothebin,right?Sotheyareabsorbingtheguys.Theyareabsorbingthemanner.Okay,butsametime,theyreabsorbingtheworldallaroundusmaterial.Okay,thatabsorbinghumannaturetoobservingeachlikelifeitself.Andwhattheydoistheycombinethesetwotogether.Okay,thepresent,thejournaltheyhearwiththeforevermayturnitintowordsthatareabletoexpressboththematerialandthespiritualtheyhearintheforever,thepresentandtheeternal.Okay,aword,atradeintherepresentationofasceneorapassionwilltouchaninternalcord,canaddemotionormetaphorinthechannelcourtinchannelcourt.Isthisyourconnectiontotheview?Okay.Sothisword,becausebecauseitssobeautiful,thissentenceissobeautiful,oritawakensyourmemory.Okay.Thisisareallygoodideawherewearealwaysinaprocessofre-coordination,right?Sowhywehearinthisworldbecausesurearethingsthatwecanexperiencethatwecannotexperienceinthespiritual.Wearespiritual.Weareformless.Wehavemanybodies,therefore…wecanup,wecanupsex.Wecan’thavepay.Wecan’tlove.Okay.Whenthisworldwecan,what’simportantantcentisthatwhenwebeingcarneitintothisworld,ourmemoriesofaformerselves,andofthisvirtualarelostjuice,otherwisewecan’tactuallylive的来，thatwouldthatwelive.Okay,butpoetry,itcanexposethebuyatthepresent.Studentworldwillsparkyoursoul.Yoursoulistheforevermemberofallyourlivesinyourconnectiontothespiritual.Ok,但是coetrydoesporturewithagatewayintoyoursoul.Andweanninate,okay,inthosewhomeverexperiencetheseemotions,thesleeping,thecalledtheburidimageofthepast,right?Soyouhaveallthesepastlivesinyouthatyoudon’trememberandthesudent,weweacertainMM,willwemightreinninatealwayspasasslivesinyouandtherewillsomeoneinsayshey,theremember,okay.Andthiswilldeleateyou.Poetrydoesmakesinmodelallthatisbestandmostbeautifulintheworld.Itarrestthevanishingoperations,whichhalttheintellunationsoflifeandbailingthem,orlanguage,orinformsensomesforthamongmankind,bearingsweetnewsofkindlejoytothosewithwhomthesysisaboabiandtherethere.Nomoreportal,alprespression,thecarrentsofthespirit,whichinhabitintotheuniverseofthings,poetry,deemsfromdecay,thevisittationsoftheabvityinman,menandmen.Ok,thethisgodinusandpoetrywillremindsus.Thereisgodinus.There’sgoteverywhere,andwhattoremindsus.There’sgodeverywherepoetry.Let’sseethethebuyeverywhere.Okay.Wheniableseethisbecauseofourmindswork,weyouwillonlyseeabletoseafood,timeandspace.Butpoetryishelpsusgobeyard.Comeinspace,aconnectimmediatelytothetornal.Okay,tothebuytothespiritual,allthingsexistastheyareperceived.Okay.Soagain,theideaofcaled,wherewherewecanonlyseethingsfulltimeinspace.Okay,thesearethingswewecansee,butyouknowwhat?Therearethingsthatwecanfeelthatwecan’tsee.It’safeelingsthatmatterandlimulationtothepercipient.Themindisitsownplace,andallitselfcanmakeaheavenofhowahellofhelpthem.Okay.Butwhatthistellsusisthatifwelookhowtocontrolourminds,wecontrolrealityitself,okay,butpoetrythatfitsoccurs,whichfindsustobesubjectedtotheaastacsuroundingimpressions.Okay,weunderstandthisideidetheideaiswepoetryactivateourimaginationbeforeweunderstandourourownkingking.Soweallcanseeuswhatwesee,buttheteretrytryvesusushighghstsite.Italallowsustoseethebeforewepoetryjusttimeinspace,theeternal,thepast,thefutureandwhereitspreaditsownfigurecurtainordrawwslikedarkballfrombeforetheseenofthings,itequallyqutesforusofbeingwithinourbeing.Okay,okay,wesomeweuseourmagination.Italcreitournewrealityforourselves.Itmakesusinhappenofofworldworld,whichwhichthefamiliarworldisachaos.Ifweproducesacommonuniverseofwhichareportionsandandcicipencets,Itpurchasesfromourinside;itwasinsidethefilmofthefamiliar,whichobscuresfromusthewonderofourbeing.Itcompelsustofeelthatweexceedtheimaginationthatweknow.Itcreatesanewdivineconditioninourminds,buttherecreationorimpressionofboundlesshorror,itcompressestheboatandtwowordsofcastle.Itcomesintheportdeserved.Thenamecreator,thepoetisacreatorofourworld,andthepoethastheimaginationtoseethingsbeyondandcommonspacebeyondthisreality.Thepoetusestheseemotionsandwordsthathelpusourselvesconnecttothedivine.Okay,poetryisaportaltothedivine.Thisisclearlygood,greatguys.哎，所以我会更敬佩最不动感情的英雄，觉醒的同伴和支持者，为了改变伟人的观点而艰难工作，或者说是诗歌。

第5段

诗歌是授权的基础。Okay,itisfromportion,everythingmustcomefromatjustperiods.Theresanaccumulationofthepowerofcommunity,communicatingintentandpassion,conceptionsrespectinginmenandnature.Thepersoninwhompowerresidesmayoften,aswepart,regardmanyportionsofnaturehavelittleapparentcorrespondencewiththatspiritofgoodofwhichtheyareattheministers.Butevenwhiletheydenyajury,theyareyetcompelledtoservethatpowerwhichisseatedonthephoneoftheirown.Sookay,sopoetsdontactuallyknowtheirprofit;poetsdontknowtheconnectiontothemannerofthevideo.Theyjustdowhattheydobecausetheyhavenochoice.Okay,theresafireboardinginyou.Youhavetoletitout.Otherwise,youcantsleep,youcanteat.Okay,poetorprofitwhomustspeakthetruth,otherwisetheywilljustsuffocate.Okay,theylljustdrawintheirownmisery.Itisimpossibletoreadthecomputercompositionsofthemorecelebratedwritersofthepresident,whilebeingstartedwiththeelectriclifewhichburnswellwithintheirwords,okay.Poetsthemselves,theyarethemessengersoftheline.Flame,okay.Heisborn.Whenyoureadtheirwords,youcanseetheflameinthem.Okay,sowecanknowHomer.Wedontknowwhothisguyis.Weyetwedontknow.Wedonthavehispicture.Wecanseewhenwereadhim,hesalivestill,okay.Hiswordsstillburn.Theyimaginethesecondconferenceandsoundthedeathofhumannaturewithacomprehensiveandopenspirit.Andtheyarethemselvesperhapsthemostsincerelyastonishedatitsmanifestations.Okay,itsallinspiration.Whensomeoneisspeaking,doesntnoticespeaking,hedoesnt.Areyoutoldmethatthiscomingofthisbubble,hesabletounderstandallthis?Whatallthisisdoing,orthisiswhentocreateareality,andhesusingimages.Hesusingdiction.No,no,hedoesntunderstandanything.Hejustonebubble.Okay,hesjustavinefire.Hesachannel.HesjustchannelingGod.Okay,hesjustaportalforGodtospeakwiththeuniversewithus.Poetsaretheheroesofanunboundedinspiration.Okay.Themirrorsofthejacanicshadows,whichfutureallycastuponthepresent,thereareprofitstothefuturespeakingtoustoday.Okay,right?Godispast,future,present.AndsoinGodspeaks,Hesalsospeakingtothefuture;theGodwhichexpressedwhattheyunderstand,notthetrafficwhichseemstobattleandfeelnotinspired.Thewords,whichismove,notbutmoves.Poetsaretheanonymouslegislatorsoftheworld.Okay,poet,ourprofitsandtheirwordscreateourreality.Everythingthatweknow,everythingthatwedo,itsbecauseofthelanguage,thelanguagethepoetcreates.I我看thatmakessense,guys.Thatsahomeworkcrystallationbecauseisgonewillofit,thatHomerspeakstruthandwilledthatthistruthwillspreadacrosstheworldforitspoetry,OK.Itsallbydesign.Doesitmakesense?Hi,赶你过来睡不去。

第6段

对，哎，sayouguys,nextclass.Okay.

语言 on Yagu的小站

99%的人死于傲慢，1%的人用语言“创造现实”——江学勤的洞见（双语配音）

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